ERDLING begeben sich auf "Yggdrasil" auf eine Reise in die nordische Mythologie. Klischee oder Tiefgang? NDH oder Pagan Metal? „Yggdrasil“ erscheint am Januar in den Läden. Das Ganze kommt in einem 2-CD-Set. Auf der einen Scheibe findet man 11 Brecher aus. Find helpful customer reviews and review ratings for Yggdrasil der Weltenbaum (German Edition) at abnbangkokhotels.com Read honest and unbiased product reviews.
Erdling - YggdrasilFind helpful customer reviews and review ratings for Yggdrasil der Weltenbaum (German Edition) at abnbangkokhotels.com Read honest and unbiased product reviews. ERDLING begeben sich auf "Yggdrasil" auf eine Reise in die nordische Mythologie. Klischee oder Tiefgang? NDH oder Pagan Metal? Erdling – Yggdrasil Herkunft: Deutschland Release: Label: Out Of Line Dauer: Genre: Dark Rock, NDH.
Yggdrasil Reviews YGGDRASIL forum topics / tours, shows & news VideoSchiit Yggdrasil Analog 2 DAC (Part 2 of 2) Adjacent to this are sample rate indicators which highlight what input is coming in. Audiophile Attitude 2. With regards to imaging, sonic cues are projected both Guthaben Abfragen Psc and deep exposing an open and natural soundstage.
Together with a durable piece of kit and warranty, the Yggdrasil Analog 2 is a highly recommended end-game purchase.
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More than a dozen people have been collaborating in the ensemble from its beginnings up to this day, such are co--founder Kristian Blak on piano, Eivor Palsdottir on vocals and Danish saxophonist John Tchicai.
Other members of a recent line-up are vocalists Kari Sverrisson and Rasmus Lyberth, Villu Veski on saxophone, Hethin Ziska Davidsen on guitar, Mikael Blak on bass and Brandur Jacobsen on drums.
If we look at audio historically, it's pretty obvious that digital has been mostly hammer-and-tongs rough on this sacred continuity. Whether in the recording studio or at home, digital's punch-press aggressiveness can be recognized by the usually hard, mechanical nature of its playback.
In contrast to the digital norm, the Yggdrasil's sound felt distinctly nonaggressive, nonartificial. Even before it was broken in, I could sense the Yggy's gentle touch and hear the music's relatively unmolested continuity.
When my analog-fanatic, LP-clinger friends carry on about how much better than digital their LPs sound, I always ask them what cartridge they're using.
Most say Miyajima, Miyabi, or Koetsu. I then smugly ask which DAC they're using. Footnote 1: A fixie is a single-speed bicycle with fixed not coasting rear axles.
If anything in the recording or playback chain interrupts, bends, truncates, or haphazardly disrupts the original live continuity—all the world's smart guys can never restore its hyperfragile relationships of time, frequency, and amplitude.
Hi Kal: This review was indeed informative --two DAC's of opposite ends of the sonic spectrum was my take. I've been in Audio since the s, my numerous Schiit pieces of headphone gear are the amongst the best performing Audio Electronics I've ever encountered annnnnnd they're cheap by comparison but not cheaply made or appearing.
Now Schiit is immigrating to the Audiophile world with a range of Preamps and Amps. Designing is an Art Form, Mr. Stoddard is an Artist.
I think he designs the entire product, a global type of designer, he does A Level work. So, Audiophile World, Brace yourself, your about to get traditional Audio Research levels of performance at NAD price points!
I'm a Schiit owner, not affiliated in any way with the Schiit Company, other than being a bit of a Critic. Forgot the DAC you reviewed.
Harmonics wipe a big chunk of high end audio. A banjo gets most of the rest as Art Dudley reported his Capital Audiofest coverage last year.
And finally fiddle sawing in Cajun music gets almost everything leftover. It is now pretty easy to choose from what little is left.
You must tell me sometime how you got the last paragraph of the review past the editors. Whatever you did keep doing it. Mike Moffat, the digital designer at Schiit and an innovator in the field, has been doing this a long time.
Also, I don't see anywhere in the Yggdrasil measurements a mention of its measured resolution like we usually do with digital processors?
With the Schiit, however, while the analog noise is very low, as I mentioned in the review, the noisefloor will rise with bit audio due to what appears to be the truncation of the LSBs.
As the noisefloor will therefore be related to the encoded signal, my usual estimate of the DAC resolution will be misleading.
John Atkinson Editor, Stereophile Log in or register to post comments Yggdrasil 21 bit resolution Submitted by USAudio on January 31, - am Thanks for the clarification John!
I think you'll find with a little web searching and on head-fi. Anecdotally, and this isn't probably typical, but I once sent a question to Schiit technical support on a Sunday afternoon and got a response within the hour!
Mike Moffat's partner, Jason Stoddard, is heavily involved in communicating with the audio community, particularly through head-fi.
As JA knows, the Schiit employs a 20 or bit DAC. While the DAC may be able to accept a bit signal, it cannot know what to do with the LSB of a bit signal.
Thus, his tests reveal neither that the hardware is defective nor that there is something amiss in the software. My comments were not odd.
When you have bit data but bit DACs, you need to dither those data to match the DAC. Otherwise, simply chopping off the 4 LSBs, called "truncation," reintroduces quantizing distortion.
Schiit's Jason Stoddard has subsequently said that the Yggdrasil "rounds" bit data but my measurements suggest that the LSBs of bit data are simply truncated.
Aren't most, if not all, DACs cannot truly resolve beyond bits anyway, including those on Stereophile Class A list? Either way, not nearly as ridiculous as the near 3 week time for Yggdrasil A2.
Maybe this is due to the used A1 cards used in the GS? I would have to audition Gungnir A2 properly in my setup to assess which one may be more resolving between the two, but I suspect it's close with maybe the Yggdrasil GS pulling just ahead.
Anyhow, the tonality is similar, with the Yggdrasil GS being noticeably more even throughout the registers. Also, the GS doesn't have the slight looseness in the midbass the Gungnir A2 can kind of exhibit.
I think the Yggdrasil GS might be a touch more incisive than the Gungnir A2, although people should already know that Schiit multibit DACs are not for those who dislike incisive presentations.
Both have the same overall timbre, the Schiit R2R timbre, and similar sweetness. Now for to compare to the X-Sabre Pro, the DAC I have at home, I'd have to say that I give the nod to the Yggdrasil GS.
It's almost no contest from the context of where my preferences lie: the Yggdrasil GS is more nuanced, slams more, has more heft, does dynamics better, and is more resolving.
I like the Yggdrasil's staging much better; unlike the XSP, the Yggdrasil doesn't have to "fake" the Schiit stage because, well, it just produces the stage.
Images feel substantial on Yggdrasil GS, not paper-thin like on the X-Sabre Pro. In fact, the only area where I think the XSP might win is in blackground, but the funny thing is that the Yggdrasil GS actually sounds darker in the blackground on first listen because of its lively dynamics.
So yeah, it's safe to say that I like the Yggdrasil better on almost all counts. The synergy is absolutely there; the Schiit R2R timbre, neutrality, dynamics, the slight tube bloom and wetness Starlett adds, the Starlett's timbre Both components are known for good staging, and together it's some of he best headstage I've heard granted, headphones stage like crap in general.
That being said, even the Starlett doesn't do justice to what the Yggdrasil GS can do in stage; you need speakers for that.
Feliks Euforia: Thick and tubey. Actually quite resolving through synergistic headphones; the Euforia seems to either have crazy good synergy or anti-synergy.
Actually very good with the GS, not something for people who want more neutral, but for what the Euforia does well a very enjoyable listen.
Like This? Check out our other AV Gadget Reviews! Read the Complete Thread. Klipschhead posts on March 28, You have to wonder whether the Yggy is worth it's price?
This DAC will compete other R2R DACs 10X the price and blow them away!! The Yggy punches way above it's class no matter what you believe!
How many Delta Sigma DAC's have you heard that are mostly harsh and strident…hint? All of them! R2R DAC's are the only technology that renders Vinyl Dead!
The Yggy sits a top the pile! Wayde Robson posts on August 31, I am not going to attempt to convince anyone with measurements or empirical data, but I've done a lot of headphone listening with mid to high end headphones, amps, dacs etc.
From my own subjective opinion… Schiit has a great reputation in headphone hi-fi circles and I'm sure they make wonderful products.
I don't know models off the top of my head but I'm not even considering the expensive cables balanced cables in these setups. My system uses nothing but cheap interconnects and stock headphone cables.
I can say definitively, as a total, unrepentant audio addict that multi-thousand dollar headphone components bear no interest from me.
For thousands of dollars extra… I need to be blown away! It's just not worth it. However, even if the audio formats took off further, I really doubt Schiit will release an upgrade.
This may be a deal breaker for some, and another one might be when you turn it on for the first time. Warm-Up Times Full admission: I had heard of this aspect of the two higher-end Schiit multibit DACs for a while now, and had experienced it albeit slightly with the Gumby.
The case with the warm-up time is as follows: the Yggdrasil will sound quite horrible out of the box and will need a large amount of time to sound like it was designed to.
He sold the Yggdrasil to me saying that he found it too bright and harsh, and wanted to get the Metrum Pavane instead. My first night listening to it was a mix of me being impressed with me feeling sharp stabs of pain — especially using my Focal Utopia.
It was like the DS Gungnir that I had, except turned up to eleven in both treble harshness and detail retrieval. I was impressed, but ouch. Dramatic descriptions aside, I can honestly say that you should not turn this off.
By day five I was experiencing a more cohesive sound, not necessarily warmer but not so tilted towards grating treble. After a week, all seemed right in the world and I was able to compare it to my already warmed Gumby.
Sound I would characterize the Yggdrasil as being a very revealing and focused DAC that pulls no punches. While not having a pitch black background on the level of the Chord Dave, it sounds a lot cleaner than its younger brother — the Gumby, which has a slight haziness to the sound that is especially noticeable when I compared the two.
What this means is that the entrance and exit of sound is very dramatic — imagine something appearing and retreating into an abyss.
The attack and decay of the Yggdrasil is the most dynamic I have had yet in my home audio chain. Listening to a mere recording of a drummer playing is enough to detail its advantage in this regard, as kick drums hit with a good amount of punch and do not linger when compared to the Gumby.
Double-bass drum patterns are reproduced effortlessly, with no evident to my ears bleed between notes that would lag presentation.
And although I do hear a bit of a bass boost in the Yggdrasil, it is nowhere near the level that Audio-GD chose to have in my NFB ESS Sabre DAC.
The tightness of the bass reproduction in the Yggdrasil, along with the above stated speed, makes the low end of music sound very precise. I can honestly see some preferring this, it has a softness and bloom that is very easy on the ears.
I wonder if I would prefer it too, if I still had a Sennheiser HD The Yggdrasil is quite different in that, compared to the Gumby, it can even sound lean at times.
The live recording utilizes a lot of drum-work, what sounds like upright bass and piano playing. While I did not at all dislike how it sounded on the Gumby, the Yggdrasil was able to handle the separation between the drums and bass in a much cleaner manner — especially when the piano was joining them in the lower frequency of notes.
The Gumby had a slight blending of tracks going on while the Yggdrasil was able to separate them quite well, leading to a feeling that each instrument was distinct and on its own island of importance without fear of foreign invasion.
This separation prowess is especially needed due to the Yggdrasil having quite a narrow soundstage The staging of the Yggdrasil is another aspect that I would probably consider to be a deal-breaker for some.
It is decisively intimate, especially compared to the Gumby which has the advantage in width. I would say that the Yggdrasil has excellent depth , however, and would consider it the DAC equivalent of the Focal Utopia — a headphone with narrow stage width but stellar depth and separation.
Both the Yggdrasil and Utopia make good use of the space afforded to them, and are both very resolving. Due to the separation and depth benefits of the Yggdrasil, I would like to use the analogy of it being a medium-sized painting of intricate brushwork — while the Gumby is a larger painting with less fine details.
The bloom of the Gumby definitely added a bit to it being perceived as a very organic and natural-sounding DAC, but the Yggdrasil manages to take a bit of a different approach to accurately-reproduced audio.
The best example I can state of this is a grand piano, which I believe to be quite a difficult instrument to reproduce accurately through audio gear.I am not Largest Casino to attempt to convince anyone with measurements or empirical data, but I've done a lot of headphone listening with mid to high end headphones, amps, dacs etc. My previous belief that the Gungnir chassis was so large for a DAC was rendered silly by the scale of the Yggdrasil — which dwarves it. In fact, Herby, that was pretty much the status quo "sound" for the next 20 CD years as well -SHIT. Background My The Atlantic Menu Crown with DAC units has been rather tied to Schiit Audio. Dramatic descriptions Narutos Eltern, I Free Football Bet Tips honestly say that you should not turn this off. Re-Tales 4: Bring service back. Schiit sells only direct, online. Indeed, it was also my time listening to the Dave that originally convinced me Casino Games Online Win Real Money upgrade from the DS Gungnir to the Multibit version. The inputs and outputs in the back are near-identical to the Gumby, with Nomimi noticeable addition being the AES input. Acora SRB loudspeaker.